Tag Archives: Movies

Why You Should Turn Subtitles On For Absolutely Everything – CNET

I use subtitles all the time. No matter what.

By Mark Serrels, Sept. 19, 2022 5:10 p.m. PT

overhead shot of a video presentation about sex education on a laptop
Photo by cottonbro on Pexels.com

“Once you overcome the one-inch-tall barrier of subtitles, you will be introduced to so many more amazing films.”

That’s Academy Award winner Bong Joon-ho, quoted from a Golden Globes acceptance speech all the way back in January 2020. He was talking about subtitles, which, despite being completely necessary and helpful and beyond useful, are apparently hated by some people.

Bong Joon Ho: “Once you overcome the one inch tall barrier of subtitles, you will be introduced to so many more amazing films” https://t.co/oWOsq8YtW4 pic.twitter.com/mJAJhEIH4U— Variety (@Variety) January 6, 2020

Almost immediately afterward, Bong pulled in a ridiculous four Oscars with Parasite — a fantastically made, multilayered dark comedy that delves deep into the underbelly of class divides. Parasite was an extremely deserving winner. You should absolutely watch this movie.

Source: https://www.cnet.com/culture/entertainment/why-you-should-turn-subtitles-on-for-absolutely-everything/

The Backstory to American Graffiti

https://richardwalter.substack.com/p/the-backstory-to-american-graffiti

Aug 24 • 12 Minutes

The Backstory to American Graffiti

Lesson: Nobody knows anything

Source: The Backstory to American Graffiti

Prelinger Archives : Free Movies : Free Download, Borrow and Streaming : Internet Archive

By Internet Archive, 2022

View thousands of films from the Prelinger Archives!

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Prelinger Archives was founded in 1983 by Rick Prelinger in New York City. Over the next twenty years, it grew into a collection of over 60,000 “ephemeral” (advertising, educational, industrial, and amateur) films.

In 2002, the film collection was acquired by the Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division. Prelinger Archives remains in existence, holding approximately 11,000 digitized and videotape titles (all originally derived from film) and a large collection of home movies, amateur and industrial films acquired since 2002. Its primary collection emphasis has turned toward home movies and amateur films, with approximately 18,000 items held as of Spring 2021.

Its goal remains to collect, preserve, and facilitate access to films of historic significance that haven’t been collected elsewhere. Included are films produced by and for many hundreds of important US corporations, nonprofit organizations, trade associations, community and interest groups, and educational institutions. Getty Images represents the collection for stock footage sale, and over 8,500 items (representing approximately 6,000 distinct films) are available here.

Source: https://archive.org/details/prelinger?tab=about

Asking Your Opinion: National Film Registry | Now See Hear!

August 3, 2022 by Stacie Seifrit-Griffin

I am happy to say that I work with some of the most fascinating, brilliant and passionate people that I’ve ever known. The halls here at the Library of Congress National Audio-Video Conservation Center are abuzz every day with discussions about movies, directors, cinematography, casting decisions, and opinions about what is the greatest film of all time. (You can add your thoughts in the comments).

from article…

The most-lively debates revolve around the National Film Registry.

Second to Librarian of Congress Dr. Carla Hayden, I think I have one of the greatest jobs at the Library. An important part of my role is working with the National Film Preservation Board to research and recommend works to the Librarian for induction into the National Film Registry.

Source: https://blogs.loc.gov/now-see-hear/2022/08/need-your-opinion-national-film-registry/?loclr=eanshb

READING THE STARS: The Whitman Authorized Editions of the 1940s | Now See Hear! | Library of Congress

By Cary O’Dell, July 20, 2022

–from article

Today, movie stars are easily accessible to us: on TV, by way of streaming services and, of course, via the internet, usually even via that star’s very own Twitter and Instagram.

In fact, celebrities—of every conceivable stripe–are so omnipresent that it seems hard to imagine, or remember, a time when even our most famous film stars were as unattainable to us as the stars in the night sky.

But think of it: if not at the actual movie theater or, occasionally, appearing as themselves on radio broadcasts, how did fans learn about or “interact” with their favorite cinema personality?

This remoteness—and the hunger it generated—helped create the fan-magazine phenomenon that, for decades, put on the neighborhood newsstands an endless array of publications like “Photoplay” and “Modern Screen.”

And though these ‘zines were an important part of the film industry and fan experience, sometimes, to some true devotees, even they were not enough. Hence, in the early 1940s, Whitman Publishing Company of Racine, Wisconsin, struck upon a new and innovative way of satisfying the desires of film fans—or at least the young and female ones—to know and even spend more time with their favorite film star.

Source: READING THE STARS: The Whitman Authorized Editions of the 1940s | Now See Hear!