The Academy Museum of Motion Pictures, set to open Sept. 30 in Los Angeles, offers much more than those famous ruby slippers.
By Jennifer Konerman – September 13, 2021
Just as the 2022 Oscars season is beginning (in earnest) for awards-hopefuls, the long-awaited Academy Museum of Motion Pictures is set to open in Los Angeles.
The museum, first announced more than eight years ago, opens its doors at 6067 Wilshire Boulevard on Sept. 30 with several exhibitions and screening programs in store.
The collections vary from technology and the history of cinema to behind-the-scenes props from famous moments in film (like matte paintings that you probably thought were real life).
On display (so far) will include The Wizard of Oz‘s famous ruby slippers, a Cinerama camera from 1954, Nightmare Before Christmas‘ original expressive heads of Jack Skellington, Shirley Temple’s tap shoes, an annotated script of To Kill a Mockingbird, and the head from Alien.
The model embraced by most public libraries for retrieving borrowed materials has historically been a simple one: forget to return the item, you pay the price.
The San Diego Public Library became part of a group of trailblazers when it abandoned this system in 2018, joining the less than 10 percent of American libraries around that time that’d done away with daily overdue fees, according to the Library Journal.
But the new policy, advertised on signs across the downtown branch that read, “Wave goodbye to overdue fees,” is not as straightforward as it sounds.
Local public school teacher Julie Ruble, who’s untimely book return resulted in a $1,426 debt to the city of San Diego, can attest. “This was just so much money and I didn’t think there were fines,” she said, “but it turns out the no-fines policy is misnamed.”
The above screenshot shows the “September 11th Resources” page, archived on the Internet Archive at the Source 1 link below. “This page is a collection of resources related to the events of September 11, 2001, as complied by Jessica Baumgart, Jennifer Jack, and other contributors. Links will open in new windows.” It was last updated 06/19/06 by Amy Disch. Some of the links may be broken or not archived separately, but the citations should be enough for researchers to find the materials.
The above screenshot shows the “The Park Library” page, archived on the Internet Archive at the Source 2 link below.
Sept. 11, 2001: NewsLib research queries following World Trade Center & Pentagon Attacks
The table shows a breakdown of the various queries by topic as researched by NewsLib librarians and members on 9/11/2001.
Likely, not updated since 2003. Some of the links may be broken or not archived separately, but the citations should be enough for researchers to find the materials. You can see the wide of range of information being sought, and the Query/Response portion shows the actual information provided. These query and responses were processed via the email list for the News Division of Special Libraries Association (SLA); though the list still exists, the News Division sadly is no longer a part of SLA.
There are a total of 60 queries and often multiple responses.
Editor’s Notes: Just days before 9/11, I had just been hired by San Diego Public Library to a position as Librarian II, and would start as Training Librarian. I was not working yet, still doing paperwork and processing by the City of San Diego Human Resources: badge, fingerprints, photographed (so I could be identified in an emergency).
I was living in San Diego at the time, and had my laptop computer, andInternet connectivity that morning/day on 9/11. You’ll see me responding in the responses, along with many others, over 20 times.My library colleagues, Shirley Kennedy and Gary Price, were also prominent in the responses.
Total NewsLib members, 2001: 1,352 Total International NewsLib members, 2001: 147
From a Pentagon rescuer’s uniform to a Flight 93 crew log, these objects commemorate the 20th anniversary of a national tragedy
By Meilan Solly, SMITHSONIANMAG.COM | Sept. 8, 2021, 8:43 a.m.
Following the tragedies that took place on September 11, 2001, curators at the Smithsonian Institution recognized the urgency of documenting this unprecedented moment in American history.
After Congress designated the Smithsonian’s National Museum of American History as the official repository for all related objects, photographs and documents, staff focused their attention on three areas: the attacks themselves, first responders and recovery efforts.
As time passed, curators expanded their purview to include the nation’s response to the tragedy, recording 9/11’s reverberations across the country. “This effectively put a net over the story, covering what happened on that day, then plus one month, plus one year,” says Cedric Yeh, curator of the museum’s National September 11 Collection.
“But [this net] had a lot of holes. I don’t mean holes in the curators’ work, but [rather], there were areas not covered because it was impossible to cover the entirety of the story.”
Those words were repeated in millions of homes on Sept. 11, 2001.
Friends and relatives took to the telephone: Something awful was happening. You have to see. Before social media and with online news in its infancy, the story of the day when terrorists killed nearly 3,000 people unfolded primarily on television.
Even some people inside New York’s World Trade Center made the phone call. They felt a shudder, could smell smoke. Could someone watch the news and find out what was happening?
Most Americans were guided through the unimaginable by one of three anchors: Tom Brokaw of NBC News, Peter Jennings of ABC and Dan Rather of CBS.