Here’s a wild statistic: There are nearly as many currently running Star Trek television series as there are completed Star Trek television series. The first 40 years of the franchise’s history include five live-action series and one animated spinoff, totaling 725 episodes.
In the past five years, five new series have launched (six if you count Short Treks as its own entity), airing a cumulative 130 episodes as of today. Star Trek as a brand is busier than it’s been since the mid-1990s, when Deep Space Nine, Voyager, and the Next Generation TV series were all running concurrently and shops around the world dedicated entire displays to Star Trek toys, novels, and video games.
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Using data from the Bureau of Labor Statistics, Preethi Lodha mapped out how each generation of Americans spend their money, on average.
Last year the average American spent around $60,000. The average member of Gen Z spent the least ($41,636) and the average Gen X-er spent the most ($83,357).
All the generations have one thing in common: they’ve all spent more than 30 percent of their annual spend on housing, whereas no generation has spent more than six percent of its annual spend on entertainment.
A ranking of the most game-changing, side-splitting, tear-jerking, mind-blowing, world-building, genre-busting programs in television history, from the medium’s inception in the early 20th century through the ever-metastasizing era of Peak TV
How do you identify the very best series in a medium that’s been commercially available since the end of World War II?
Especially when that medium has experienced more radical change in the nine years between the finales of Breaking Bad and its prequel, Better Call Saul, than it did in the 60-odd years separating Walter White from Milton Berle?
The current Peak TV era is delivering us 500-plus scripted shows per year, many of them breaking boundaries in terms of how stories are told and who’s doing the telling. So, we decided to update our list of television’s all-time best offerings, originally compiled in 2016. Once again, we reached out to TV stars, creators, and critics — from multihyphenates like Natasha Lyonne, Ben Stiller, and Pamela Adlon to actors like Jon Hamm and Lizzy Caplan as well as the minds behind shows like The X-Files, Party Down, and Jane the Virgin — to sort through television’s vast and complicated history.
(See the full list of voters here.) Giving no restrictions on era or genre, we ended up with an eclectic list where the wholesome children’s television institution Sesame Street finished one spot ahead of foulmouthed Western Deadwood, while Eisenhower-era juggernaut I Love Lucy wound up sandwiched in between two shows, Lost and Arrested Development, that debuted during George W. Bush’s first term. Many favorites returned, and the top show retained its crown.
But voters couldn’t resist many standouts of the past few years, including a tragicomedy with a guinea-pig-themed café, an unpredictable comedy set in the world of hip-hop, and a racially charged adaptation of an unadaptable comic book. It’s a hell of a list.
If you’re looking for the best place to retire, you might want to break out the atlas: The United States slipped even further down the list in a new ranking.
Four-decade-high inflation, a volatile stock market and ballooning public debt are among the factors threatening the economic security of retirees, according to the 2022 Natixis Investment Managers Global Retirement Index. The index evaluates 18 metrics grouped into four categories: health, finances in retirement, quality of life and material well-being.
What’s the best place to retire?
Norway climbed up from No. 3 to claim the top spot in the analysis of 44 developed economies, although the Scandinavian country is no stranger to the top of this list: When the index was first published in 2012, Norway topped it back then, too. Switzerland retained its second-place spot from 2021, and Iceland rounded out the top three.
The Argentine writer Jorge Luis Borges is often credited with saying that “Paradise is a library.” He must not have meant a downtown public library, circa 8 p.m. Such places, like most communal spheres, can be a challenge to oversee.
Some people treat them like a sort of roomless hotel, sleeping in chairs and bathing in restrooms. I used to watch a man who looked like the famous woodcut of Blackbeard the Pirate ride the escalator of my three-story library up, down, up, down. For hours. Carrying a duffel bag. He never bothered anyone, so our security officers left him alone. (Can’t say the same for the lady of the evening who was meeting clients in the stairwell.)
Then there are the questions from believers in Qanon. Election deniers. Sovereign citizens. The woman who ranted about the “news” that the World Health Organization was going to “force a vote to allow them to take over the U.S. and force a lockdown like China.” (If WHO had that kind of power, why bother with a vote?)
The man who asked me how he and a few of his buddies could get into the governor’s office to “remove him” over pandemic closures. (Would that all insurrectionists did such thorough research!) Declinism is the feeling that everything is getting harder, scarier, and weirder, and a lot of people seem to have it.
Work in a library, I want to tell them, and you’ll learn what weird is.
Privately owned for decades, the materials include a short story featuring F. Scott Fitzgerald, personal effects and rough drafts
By Molly Enking, Daily Correspondent, September 26, 2022 3:13 p.m.
A veritable treasure trove of papers, artifacts and photos linked to Ernest Hemingway is now accessible to scholars and the public for the first time. As the New York Times’ Robert K. Elder reports, the archive—part of the new Toby and Betty Bruce Collection at Penn State University Libraries—represents “the most significant cache of Hemingway materials uncovered in 60 years.”
Objects featured in the trove include Hemingway’s earliest known short story (written at age 10), hundreds of photographs, four unpublished short stories, manuscript ideas, letters, clothing and personal effects. The writer was a notorious “pack rat,” saving “everything from bullfighting tickets and bar bills to a list of rejected story titles written on a piece of cardboard,” says Sandra Spanier, a literary scholar at Penn State, in a statement.
Hemingway left the materials in storage at one of his favorite bars, Sloppy Joe’s in Key West, Florida, in 1939. They remained there until his death by suicide in 1961.
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