Home Arts & Humanities & Music How a forgotten Toronto story shows Hemingway beginning to invent himself as a fiction writer

How a forgotten Toronto story shows Hemingway beginning to invent himself as a fiction writer

0
How a forgotten Toronto story shows Hemingway beginning to invent himself as a fiction writer
Hemingway image
Ernest Hemingway and Robert McAlmon, another American writer, in Spain in 1923. During his four years with the Toronto Star, Hemingway produced nearly 200 pieces, 170 under his own name plus around 30 with verified pseudonym bylines. (Ernest Hemingway Collection/John F. Kennedy Presidential Library and Museum/Wikimedia)

In January 1924, two young women on a Toronto Queen St. streetcar caught sight of Ernest Hemingway’s battered green hat.

They giggled among themselves that he might be Red Ryan, the city’s fugitive bank robber.

Ernest Hemingway, right, and Hadley Richardson, left, as newlyweds circa 1922. An apparent portrait-crop version of this image was reproduced in The Toronto Star in 1924. (Wikimedia)

So reported John Hadley in the Toronto Star story “The Freiburg Fedora: Must Wear Hats Like Other Folks If You Live in Toronto” on Jan. 19, 1924. Hadley was Hemingway’s wife’s name, and John, the name of their infant son.
Today, it’s clear that Hemingway wrote the story. Journalist and literary historian William White first collected many of Hemingway’s Toronto Star pieces in Dateline: Toronto (1985).

Journalist William Burrill, author of Hemingway: The Toronto Years (1994), later uncovered some 30 additional long-lost stories, including several written under pseudonyms like John Hadley or Peter Jackson. By cross-referencing Hemingway’s papers at the John F. Kennedy Presidential Library and Museum, Burrill demonstrated that “The Freiburg Fedora” was indeed Hemingway’s.

As Burrill notes, Hemingway adopted pseudonyms after reaching his quota with the Star, allowing him to sell additional stories and earn much-needed income for his young family. He first used the John Hadley signature only weeks after the birth of his first son.

With scholars gathering in Toronto in July 2026 to re-examine Hemingway’s Canadian years, “The Freiburg Fedora” offers a compelling opportunity to revisit a neglected moment in Hemingway’s literary development.

Hadley Richardson and Ernest Hemingway as newlyweds, circa 1922. Image as reproduced in ‘The Toronto Star,’ July 30, 1924, on page 3. (Wikimedia)

Evolution of fiction strategies

The significance of “The Freiburg Fedora” extends beyond its authorship.

Under the guise of Hadley, Hemingway was able to explore the less appealing aspects of himself. The sketch captures him at a pivotal moment when newspaper reporting begins to evolve into literary self-fashioning, anticipating themes and narrative strategies that would later define his fiction.

Although researchers established Hemingway’s authorship of the story decades ago, it has received remarkably little literary attention. During the July 2026 Toronto Hemingway conference, visitors to the Toronto Reference Library (where the Toronto Star collections are held), can see the original newspaper story on display.

Photograph of a man in a suit flanked by two postcard images of city buildings.
Poster for Hemingway in Toronto Conference 2026. (Modern Literature and Culture Research Centre, Toronto Metropolitan University), Author provided (no reuse)

Continue/Read Original Article: https://theconversation.com/how-a-forgotten-toronto-story-shows-hemingway-beginning-to-invent-himself-as-a-fiction-writer-286101


Discover more from DrWeb's Domain

Subscribe to get the latest posts sent to your email.

Leave Your Comments

This site uses Akismet to reduce spam. Learn how your comment data is processed.