Tag Archives: Ken Burns

Hemingway Exhibition – PBS Books

Editor’s Note: Books and images from Hemingway’s life and works are shown in the PBS Exhibition. It’s done in conjunction with the new Burns’ documentary, “Hemingway.”

Corporate funding for HEMINGWAY was provided by Bank of America. Major funding was provided by the Annenberg Foundation, The Arthur Vining Davis Foundations, and by ‘The Better Angels Society,’ and its members John & Leslie McQuown, the Elizabeth Ruth Wallace Living Trust, John & Catherine Debs, The Fullerton Family Charitable Trust, the Kissick Family Foundation, Gail M. Elden, Gilchrist & Amy Berg, Robert & Beverly Grappone, Mauree Jane & Mark Perry; and by the Corporation for Public Broadcasting and PBS.


Hemingway: Ken Burns and Lynn Novick interview on how #MeToo changed their PBS docuseries.

The co-directors explain how the literary icon embodied both toxic masculinity and gender fluidity.

Ernest Hemingway. Photo illustration by Slate. Photo courtesy of Ernest Hemingway Photograph Collection. John F. Kennedy Presidential Library and Museum, Boston. 

By Abigail Covington, April 07, 202110:00 PM

Ken Burns and Lynn Novick started working on their new docuseries about Ernest Hemingway almost seven years ago, when conversations about toxic masculinity and cancel culture were still at least a presidency away. But you’d be forgiven for thinking the series was a pandemic project, because Hemingway, and the conversations that take place within it, feel utterly of the moment.

From gender fluidity and mental illness to sexual misconduct and racism, today’s most charged topics are discussed at length in the series because they were part and parcel of the iconic, mercurial writer, whose own ex-wife Hadley Richardson once described as having so many sides to him that he defied geometry. Throughout the three-part, six-hour series, Hemingway is portrayed as both violent and tender, self-aware and self-aggrandizing, with an equal, outsize capacity for both joy and depthless depression.

It’s no wonder then why the writer Michael Katakis says at the start of the series that Hemingway the man is so much more interesting than the whiskey-doused, hypermasculine myth that obscures him. In separate interviews, Burns and Novick walked us through how making the film transformed the way they understand Hemingway—the man, the myth, and his literary legacy. Below, we’ve spliced together the two conversations, which have been edited and condensed for clarity.

Ken Burns and Lynn Novick.  Mike Smith/NBC/NBCU Photo Bank via Getty Images

Source: Hemingway: Ken Burns and Lynn Novick interview on how #MeToo changed their PBS docuseries.

Ken Burns’ ‘Hemingway’ documents the novelist and his life | The Kansas City Star

Ernest Hemingway at Finca Vigia, his home in Cuba in the 1950s. Behind him on the steps is his fourth wife, Mary, who would become his widow. Courtesy of A.E. Hotchner

By Steve Paul Special to The Star, April 04, 2021 05:00 AM, Updated April 04, 2021 08:44 AM

Three and a half decades ago, the earth moved beneath the foundation of the Ernest Hemingway industry. The old-school, tired image of the great American writer as a brawling, blustery simpleton took a self-inflicted punch in the gut.

Hemingway — master of the fishing rod, the shotgun, the declarative sentence — had killed himself in 1961. His literary stature was stuck in a long recession, but, as had happened three times earlier, an unfinished manuscript was plucked from his archives, tailored into a certain commercially agreeable shape, and, in 1986, landed before the reading public, this time with startling revelations.

Source: Ken Burns’ ‘Hemingway’ documents the novelist and his life | The Kansas City Star

Continue reading Ken Burns’ ‘Hemingway’ documents the novelist and his life | The Kansas City Star

Review: ‘Hemingway’ Is a Big Two-Hearted Reconsideration – The New York Times

Ken Burns’s latest documentary, premiering Monday on PBS, traces the complicated connections between the person, the persona and the stories

Ernest Hemingway at his home in Cuba in the 1940s. A new PBS documentary by Ken Burns and Lynn Novick explores the author’s triumphs and vulnerabilities.Credit…John F. Kennedy Presidential Library and Museum

By James Poniewozik, Published April 2, 2021, Updated April 3, 2021, 12:16 a.m.

Hemingway, NYT Critic’s Pick

One of the more unsettling moments in “Hemingway,” the latest documentary from Ken Burns and Lynn Novick, finds Ernest Hemingway, big-game hunter, chronicler of violence and seeker of danger, doing one thing that terrified him: speaking on television.

It is 1954, and the author, who survived airplane crashes (plural) earlier that year in Africa, had been awarded the Nobel Prize in Literature. He agreed to an interview with NBC on the condition that he receive the questions in advance and read his answers from cue cards.

Source: https://www.nytimes.com/2021/04/02/arts/television/review-hemingway-ken-burns.htmlhttps://www.nytimes.com/2021/04/02/arts/television/review-hemingway-ken-burns.html

‘Hemingway’ Review: Ken Burns’ Series Dives Into The Writer’s Complicated Life : NPR

Ken Burns’ three-part documentary about American writer Ernest Hemingway (shown above) premieres on PBS April 5. Bettmann Archive/Getty Images

March 30, 20212:22 PM ET, Heard on Fresh Air

A three-part PBS documentary probes deeply into Ernest Hemingway’s life and his writings. Among those featured are each of his four wives, who shed light on the author’s troubled personal life.

Source: ‘Hemingway’ Review: Ken Burns’ Series Dives Into The Writer’s Complicated Life : NPR

The Man Behind the Hemingway Myth – WSJ

A new PBS documentary offers a fresh look at a great and tragic writer who disappeared into a self-created macho stereotype

Hemingway with his cats in the 1940s.
Photo: Popperfoto/Getty Images
From article…

Early next month, timed to the sixtieth anniversary of Ernest Hemingway’s death, PBS will air Ken Burns and Lynn Novick’s long-awaited three-part, six-hour look at this most iconic of iconic American writers.

In a culture where screens have beat out paper and ink as the medium for gathering information and in so doing have turned us into scanners with atrophied attention spans, it’s something of an irony that it would take the visual experience of a documentary—full of stunning archival photos and deft commentary by the likes of Edna O’Brien and Tobias Wolff—to inspire a return to the page to experience the work of the writer who, as Mr. Wolff puts it, “changed all the furniture in the room.”

Editor’s Note: Unfortunately, behind a pay wall 🙁

Source: The Man Behind the Hemingway Myth – WSJ