The horror writer talks Holly and why he chose not to erase Covid from the detective’s world
By Brenna Ehrlich, September 5, 2023
THIS POST CONTAINS spoilers for Stephen King’s new book Holly, which comes out today.
Stephen King is readying himself for a flood of hate when his next book, Holly, drops on Sept. 5. “I think that a lot of people are not going to like it,” he says. “I think that a lot of people — particularly people on the other side of the Covid issue and the Trump issue — are going to give it one-star reviews on Amazon.
But all I can say to those people is, ‘Knock yourself out.’”
While inviting bad reviews before publication may seem like an odd sentiment from one of the most prolific, acclaimed horror writers of all time, well… a lot of things are topsy-turvy these days.
And unlike many writers who have released books over these past few years, King — as is his custom — doesn’t shy away from that discomfort in Holly, which follows the PI he introduced in the Mr. Mercedes series, as she attempts to solve a string of disappearances during the height of Covid.
A ranking of the most game-changing, side-splitting, tear-jerking, mind-blowing, world-building, genre-busting programs in television history, from the medium’s inception in the early 20th century through the ever-metastasizing era of Peak TV
How do you identify the very best series in a medium that’s been commercially available since the end of World War II?
Especially when that medium has experienced more radical change in the nine years between the finales of Breaking Bad and its prequel, Better Call Saul, than it did in the 60-odd years separating Walter White from Milton Berle?
The current Peak TV era is delivering us 500-plus scripted shows per year, many of them breaking boundaries in terms of how stories are told and who’s doing the telling. So, we decided to update our list of television’s all-time best offerings, originally compiled in 2016. Once again, we reached out to TV stars, creators, and critics — from multihyphenates like Natasha Lyonne, Ben Stiller, and Pamela Adlon to actors like Jon Hamm and Lizzy Caplan as well as the minds behind shows like The X-Files, Party Down, and Jane the Virgin — to sort through television’s vast and complicated history.
(See the full list of voters here.) Giving no restrictions on era or genre, we ended up with an eclectic list where the wholesome children’s television institution Sesame Street finished one spot ahead of foulmouthed Western Deadwood, while Eisenhower-era juggernaut I Love Lucy wound up sandwiched in between two shows, Lost and Arrested Development, that debuted during George W. Bush’s first term. Many favorites returned, and the top show retained its crown.
But voters couldn’t resist many standouts of the past few years, including a tragicomedy with a guinea-pig-themed café, an unpredictable comedy set in the world of hip-hop, and a racially charged adaptation of an unadaptable comic book. It’s a hell of a list.
Former President Donald Trump claims that he “will do whatever” he can to bring down “the temperature” following last week’s FBI’s raid of his Florida home and club, Mar-a-Lago. But even a glimpse of Truth Social — Trump’s social media company — shows that the MAGA website has been a haven for private, doxxed information not only about authorities involved in the federal raid, but also of their families.
A review of Truth Social postings by Rolling Stone shows Trump supporters have spent the past week doxxing both Judge Bruce Reinhart, the magistrate judge who approved the Mar-a-Lago warrant, and an FBI agent involved in preparing the request, as well as their families. The information includes their purported home addresses, phone numbers, places of worship, private offices, and similar information about the men’s families and junior employees.
He was tough, he was sexy, and he was one of the most charismatic movies stars of the 1970s — he was James Caan, your go-to guy when you wanted someone who could be flinty yet charming, smooth yet volatile.
A Bronx-born, Queens-raised actor who claimed he was the “only New York Jewish cowboy,” the former Michigan State football player got bit by the acting bug when he transferred to Hofstra University, and was already making the bit-player rounds on TV shows (Dr. Kildare, Combat!, Route 66, The Alfred Hitchcock Show) in the early ’60s.
After director Howard Hawks cast him in two movies — Red Line 7000 (1965) and El Dorado (1966) — Caan started to attract attention as the next big up-and-comer. It wasn’t until the one-two punch of a TV movie about a gridiron hero and Paramount picture based on a bestseller about gangsters, respectively, that he became a bona fide star.
Even when he showed up in his later years, usually as a crusty old guy for added color or the human embodiment of AARP-age machismo, Caan was still the kind of performer who stopped you dead in your tracks.
Getting vaccinated can significantly reduce your chances of dying from Covid-19.
Like, really significantly. Throughout the month of August, unvaccinated adults were 11 times more likely to die from Covid-19 than fully vaccinated adults, according to new data released by the Centers for Disease Control and Prevention.
The CDC also found that unvaccinated adults faced a six times as likely to contract the virus than fully vaccinated adults. The data marks the first time the CDC has released information about how Covid-19 risks can differ depending on vaccination status.
From family stories to band-of-misfits hangouts, classic rom-coms to workplace mockumentaries, cringe comedies to antihero showcases, and some shows that defy definition, these are the hundred series that have made us laugh, think, occasionally cry, and laugh all over again.
For more than eight decades, the sitcom has both marked the times and provided a balm against them.
From Rob Petrie tripping over his ottoman on The Dick Van Dyke Show to Ilana face-planting on a Broad City subway car; from The Honeymooners’ Ralph Kramden barely containing his frustration with Ed Norton to Atlanta’s Paper Boi doing the same with his cousin Earn; from Lucy Ricardo getting drunk on Vitameatavegamin to Fleabag enjoying Gin in a Tin with the hot priest, the genre’s most beloved characters have been by our sides.
To choose the 100 greatest sitcoms ever, we first had to decide how to define the term. Sketch comedies were out, from the explicit, like Saturday Night Live and The Muppet Show, to the more ambiguous, such as The Rocky and Bullwinkle Show. Ditto comedy-drama hybrids that ran around an hour — Freaks and Geeks, say, or Crazy Ex-Girlfriend.
Half-hour dramedies presented a blurrier picture; we took those on a case-by-case basis, applying our own version of Supreme Court Justice Potter Stewart’s famous definition of obscenity: “I know it when I see it.” Where Enlightened and The Wonder Years seemed to fall just too far over the drama side of the line, for example, Atlantaand Better Things had enough comedy to qualify. This list is also composed entirely of English-language comedies, primarily American ones, with a handful of British and Canadian shows making the cut.