Tag Archives: Writing

How Campus Novels Reveal the Power—and Danger—of Pure Ideas ‹ Literary Hub

Tara Isabella Burton on the Combination of Isolation, Vulnerability, and Hunger for Knowledge

By Tara Isabella Burton, March 9, 2022

From article…

Every few years, I go through entries of my now-defunct Livejournal: a journaling website I used with obsessive regularity throughout my teenage and college years.

And I believed, with childish conviction, that books—and only books—could teach me how to live. I remember once patiently explaining to a classmate that I planned to spend my semester working on an erotic novel set in fin de siècle Paris.

–From article…

Invariably, my attention turns to my earliest entries on the platform; largely written during the three years I spent in somewhat feral isolation at a red-brick, ivy-trellised boarding school in New Hampshire. They are, of course, what we might now call cringe: agonizingly earnest, intellectually rapacious, emotionally overrwrought. But they are also, in their way, beautiful.

Back then, I believed that everything I ever learned in class applied directly, and exactly, to the life I would one day live. I would write thousands of words after Latin class, meditating on whether I was more like pious, self-controlled Aeneas or the passionate Dido: her heart constantly aflame. (The answer was, naturally, the latter, although I often wished I could develop the capacities of the former). I would write about reading Antony and Cleopatra in my senior Shakespeare seminar, and wonder aloud—to a “friendslocked” audience of ten or twenty strangers—whether all human relationships demanded performative artificiality.

My emotional life and my academic life were intertwined, as they had never been before, and never would be thereafter: in college, in grad school, in adulthood. What I read—whether in class or sequestered away on my school library’s third-floor mezzanine, sufficiently ill-attended that it doubled as an infamous campus hookup joint—mattered to me.

Source: How Campus Novels Reveal the Power—and Danger—of Pure Ideas ‹ Literary Hub

How to write like Ernest Hemingway: a style guide | High Culture | Big Think

The author of classics like “A Farewell to Arms” and “The Sun Also Rises” is known and loved for his simple yet effective writing style. Here’s how to imitate it.

By Tim Brinkhof, January 18, 2022

Ernest Hemingway is famous for his style as well as his stories (Credit: Ernest Hemingway Photograph Collection / Wikipedia).

Today, more than 60 years after his death, Ernest Hemingway is known not just for his moving stories but his technical writing skills.

According to E.J. Gleason, professor of Irish and American literature at Saint Anselm College in New Hampshire, Hemingway had found his artistic voice before he turned 26.

His signature writing style, characterized by short phrases constructed using plain, everyday English, left a profound impact on the literary world, shaping generations of aspiring fiction and non-fiction writers that followed in his footsteps.

Although Hemingway’s way of writing may seem straightforward, it is by no means simplistic, let alone easy to imitate. A less talented writer might hide their lack of substance behind difficult words and convoluted sentences, but to write like Hemingway requires both a great effort and real intellect. Like a surgeon, Hemingway stripped his stories of any and all insignificant or superfluous information, until only a basic skeleton and a handful of vital organs were left on the page.

Source: How to write like Ernest Hemingway: a style guide – Big Think

That Time of Year: Chapter One | Garrison Keillor

Signature from site…

It’s been an easy life and when I think back, I wish it were a summer morning after a rain and I were loading my bags into the luggage hold of the bus and climbing aboard past Al, the driver, and the bench seats up front to the bunks in back and claiming a low bunk in the rear for myself.

We’re about to set off on a twenty-eight-city tour of one-­nighters, two buses, the staff bus and the talent bus (though actually the tech guys, Sam and Thomas and Albert and Tony, have most of the talent and the rest of us just do the best we can). I kiss Jenny goodbye and she envies me, having been on opera and orchestra bus tours herself and loved them.

The show band guys sit in front, Rich Dworsky, Chris, Pat and Pete, Andy, Gary or Larry, Richard, Joe, Arnie the drummer, Heather the duet partner on “Under African Skies” and “In My Life” and Greg Brown’s “Early.”

Fred Newman is here, Mr. Sound Effects, and we’ll do the Bebopareebop commercial about the meteorite flying into Earth’s atmosphere about to wipe out an entire city when a beluga in heat sings a note that sets off a nuclear missile that deflects the meteorite to the Mojave Desert where it cracks the earth’s crust and hatches prehistoric eggs of pterodactyls, which rise screeching and galumphing toward a tiny town and a Boy Scout camp where a lone bagpiper plays the Lost Chord that pulverizes the pterodactyls’ tiny brains and sends them crashing and gibbering into an arroyo, and I say, “Wouldn’t this be a good time for a piece of rhubarb pie?” and we sing, One little thing can revive a guy, and that is a piece of rhubarb pie. Serve it up nice and hot, maybe things aren’t as bad as you thought.

Source: That Time of Year: Chapter One | Garrison Keillor

Paris Review – The Art of Fiction No. 16

Interviewed by Richard H. Goldstone

Issue 15, Winter 1956

Sketch by Rosalie Seidler, 1956.

A national newsmagazine not very long ago in its weekly cover story limned Thornton Wilder as an amiable, eccentric itinerant schoolmaster who wrote occasional novels and plays, which won prizes and enjoyed enormous but somewhat unaccountable success.

Wilder himself has said, “I’m almost sixty and look it. I’m the kind of man whom timid old ladies stop on the street to ask about the nearest subway station: newsvendors in university towns call me ‘professor,’ and hotel clerks, ‘doctor’.”

Many of those who have viewed him in the classroom, on the speaker’s rostrum, on shipboard, or at gatherings, have been reminded of Theodore Roosevelt who was at the top of his form when Wilder was an adolescent, and whom Wilder resembles in his driving energy, his enthusiasms, and his unbounded gregariousness.

Source: Paris Review – The Art of Fiction No. 16

An Introduction to The Solarpunk Genre | Book Riot

By Emily Wenstrom, Mar 23, 2021

Image from article…

While a great deal of science fiction involves gloom, doom, and cynicism about humanity’s fate (Apocalypse! Dystopia! Grimdark!), there are bright spots of optimism within the genre.

Meet solarpunk.What Is Solarpunk?

The overall vibe of the solarpunk genre is often described as inspired by Art Nouveau, Victorian, and Afrofuturist motifs. Illustrations of solarpunk landscapes often look hypermodern, light, airy, and colorful, but can also be rich in elegant detail.

Most of all, everything is so, so green. Just covered in leaves. Like Ewoks moved into the Watergate. Along with this visual style, the spirit of solarpunk is one of craftsmanship, egalitarianism, and optimism where technology can be put to work to solve our greatest problems.

Editor’s Note: Includes mention of classic solarpunk novels, and some newer ones.

Source: An Introduction to The Solarpunk Genre | Book Riot

Hemingway’s history: Community boasts ties to author

  From left, Frances “Bunny” Thorne and Ernest Hemingway enjoy each other’s company while in Sheridan County. Courtesy photo | The Wyoming Room
From left, Frances “Bunny” Thorne and Ernest Hemingway enjoy each other’s company while in Sheridan County. Courtesy photo | The Wyoming Room

When describing places in the world where Ernest Hemingway is most known, fans and followers of the author may list Spain, Cuba, Key West and even Idaho.

Source: Hemingway’s history: Community boasts ties to author